{"id":5974,"date":"2015-02-27T09:24:22","date_gmt":"2015-02-27T09:24:22","guid":{"rendered":"http:\/\/wp.adg.it\/art-classes-drawing-and-painting-techinques-3-2"},"modified":"2025-02-03T12:30:24","modified_gmt":"2025-02-03T12:30:24","slug":"fresco-course","status":"publish","type":"page","link":"https:\/\/adg.it\/en\/fresco-course\/","title":{"rendered":"Fresco course"},"content":{"rendered":"<p>[spb_column width=&#8221;2\/3&#8243; el_position=&#8221;first&#8221;] [spb_text_block title=&#8221;The oldest painting technique&#8221; pb_margin_bottom=&#8221;no&#8221; pb_border_bottom=&#8221;no&#8221; width=&#8221;1\/1&#8243; el_position=&#8221;first last&#8221;]\n<p>Fresco is one of the oldest painting techniques. It was invented by the Egyptians who later taught it to the Greeks. But it was only in the 14th century, thanks to the Italian painter Giotto, that the fresco technique gained <strong>more and more importance among the Fine Arts<\/strong>.<\/p>\n<p>The most peculiar quality of fresco painting lies undoubtedly in its making: <strong>the pigment<\/strong> &#8211; a natural material &#8211; is laid on a <strong>fresh plaster<\/strong> several times in a short lapse of time, and through a cohesion process it fixes itself in the plaster, creating <strong>warm <\/strong>and <strong>subtle tones<\/strong>. The artist can make no mistakes, as correcting them would imply destroying the whole work. That is why the fresco technique is particularly difficult to learn and master.<\/p>\n<blockquote class=\"blockquote2\">Given this complexity the fresco course is recommended to those students who have already acquired basic artistic skills or who have already attended the first 3 units of our Art course.<\/blockquote>\n<p>The fresco course lasts normally <strong>4 weeks <\/strong>and is held Monday through Tuesday. It is also possible to attend this course for shorter or longer periods. In order to insure the highest quality of tuition, the number of students will not exceed 7 per group.<\/p>\n[\/spb_text_block] [boxed_content type=&#8221;coloured&#8221; pb_margin_bottom=&#8221;no&#8221; width=&#8221;1\/1&#8243; el_position=&#8221;first last&#8221;]\n<p>The program<\/p>\n[\/boxed_content] [spb_accordion width=&#8221;1\/1&#8243; el_position=&#8221;first last&#8221;] [spb_accordion_tab title=&#8221;Arriccio&#8221; accordion_id=&#8221;&#8221; icon=&#8221;&#8221;] [spb_text_block pb_margin_bottom=&#8221;no&#8221; pb_border_bottom=&#8221;no&#8221; width=&#8221;1\/1&#8243; el_position=&#8221;first last&#8221;]\n<p>Preparation of the &#8220;arriccio&#8221;, i.e. the laying of mortar (a mixture of lime and sharp sand) on the lathwork. This operation has to be repeated twice and it is followed by the laying of plaster (a mixture of lime and fine sand).<\/p>\n[\/spb_text_block] [\/spb_accordion_tab] [spb_accordion_tab title=&#8221;Cardboard&#8221; accordion_id=&#8221;&#8221; icon=&#8221;&#8221;] [spb_text_block pb_margin_bottom=&#8221;no&#8221; pb_border_bottom=&#8221;no&#8221; width=&#8221;1\/1&#8243; el_position=&#8221;first last&#8221;]\n<p>A drawing is sketched on cardboard. The drawing is then perforated along its outlined and pounced over the plaster.<\/p>\n[\/spb_text_block] [\/spb_accordion_tab] [spb_accordion_tab title=&#8221;Sinopia&#8221; accordion_id=&#8221;&#8221; icon=&#8221;&#8221;] [spb_text_block pb_margin_bottom=&#8221;no&#8221; pb_border_bottom=&#8221;no&#8221; width=&#8221;1\/1&#8243; el_position=&#8221;first last&#8221;]\n<p>As a result, a &#8220;sinopia&#8221; will appear on the plaster. The sinopia has to be divided into two or more parts according to its size; every part will be later painted in individual sessions.<\/p>\n[\/spb_text_block] [\/spb_accordion_tab] [spb_accordion_tab title=&#8221;Plaster finish&#8221; accordion_id=&#8221;&#8221; icon=&#8221;&#8221;] [spb_text_block pb_margin_bottom=&#8221;no&#8221; pb_border_bottom=&#8221;no&#8221; width=&#8221;1\/1&#8243; el_position=&#8221;first last&#8221;]\n<p>The last step is the &#8220;plaster finish&#8221;, i.e. the laying of a mixture made up of sieved sand and slaked lime, which has to be smoothed accurately with a trowel before finally starting to paint.<\/p>\n[\/spb_text_block] [\/spb_accordion_tab] [spb_accordion_tab title=&#8221;Painting&#8221; accordion_id=&#8221;&#8221; icon=&#8221;&#8221;] [spb_text_block pb_margin_bottom=&#8221;no&#8221; pb_border_bottom=&#8221;no&#8221; width=&#8221;1\/1&#8243; el_position=&#8221;first last&#8221;]\n<p>The plaster is ready for painting with pigments. Upon request it is also possible to study different Fresco techniques such as &#8220;sgraffito&#8221; or &#8220;scraffito&#8221;.<\/p>\n[\/spb_text_block] [\/spb_accordion_tab] [spb_accordion_tab title=&#8221;Sgraffito&#8221; accordion_id=&#8221;&#8221; icon=&#8221;&#8221;] [spb_text_block pb_margin_bottom=&#8221;no&#8221; pb_border_bottom=&#8221;no&#8221; width=&#8221;1\/1&#8243; el_position=&#8221;first last&#8221;]\n<p>It is possible to spend part of the course to the technique of the &#8220;sgraffito&#8221; or &#8220;scraffito&#8221;: it is a technique produced by applying layers of plaster tinted in contrasting colours\u00a0and then scratching so as to produce an outline drawing.<\/p>\n[\/spb_text_block] [\/spb_accordion_tab] [spb_accordion_tab title=&#8221;Tear technique&#8221; accordion_id=&#8221;&#8221; icon=&#8221;&#8221;] [spb_text_block pb_margin_bottom=&#8221;no&#8221; pb_border_bottom=&#8221;no&#8221; width=&#8221;1\/1&#8243; el_position=&#8221;first last&#8221;]\n<p>Part of the course can be dedicated to learning how to detach a fresco off the wall thanks to a special glue (rabbit glue) which allows to fix the fresco painting onto another panel.<\/p>\n[\/spb_text_block] [\/spb_accordion_tab] [\/spb_accordion] [sf_gallery gallery_id=&#8221;6314&#8243; slider_transition=&#8221;fade&#8221; show_thumbs=&#8221;yes&#8221; autoplay=&#8221;yes&#8221; show_captions=&#8221;yes&#8221; enable_lightbox=&#8221;yes&#8221; width=&#8221;1\/1&#8243; el_position=&#8221;first last&#8221;] [boxed_content type=&#8221;coloured&#8221; pb_margin_bottom=&#8221;no&#8221; width=&#8221;1\/1&#8243; el_position=&#8221;first last&#8221;]\n<p><strong>Tuition fees<\/strong><\/p>\n[\/boxed_content] [spb_accordion width=&#8221;1\/1&#8243; el_position=&#8221;first last&#8221;] [spb_accordion_tab title=&#8221;Price&#8221; accordion_id=&#8221;&#8221; icon=&#8221;&#8221;] [spb_text_block title=&#8221;14 hours per week&#8221; pb_margin_bottom=&#8221;no&#8221; pb_border_bottom=&#8221;no&#8221; width=&#8221;1\/1&#8243; el_position=&#8221;first last&#8221;]\n<p>FC1, 1 week, 14 hours \u20ac400<br \/>\nFC2, 2 weeks, 28 hours \u20ac590<br \/>\nFC4, 4 weeks, 56 hours \u20ac990<br \/>\nFC12, 12 weeks, 168 hours \u20ac2790<\/p>\n[\/spb_text_block] [spb_text_block title=&#8221;20 hours per week&#8221; pb_margin_bottom=&#8221;no&#8221; pb_border_bottom=&#8221;no&#8221; width=&#8221;1\/1&#8243; el_position=&#8221;first last&#8221;]\n<p>FC1, 1 week, 20 hours \u20ac460<br \/>\nFC2, 2 weeks, 40 hours \u20ac790<br \/>\nFC4, 4 weeks, 80 hours \u20ac1320<br \/>\nFC12, 12 weeks, 240 hours \u20ac3790<\/p>\n[\/spb_text_block] [\/spb_accordion_tab] [spb_accordion_tab title=&#8221;Course price includes&#8221; accordion_id=&#8221;&#8221; icon=&#8221;&#8221;] [spb_text_block pb_margin_bottom=&#8221;no&#8221; pb_border_bottom=&#8221;no&#8221; width=&#8221;1\/1&#8243; el_position=&#8221;first last&#8221;]\n<p>All Materials except colours (pigments).<br \/>\nA certificate at the end of the course.<\/p>\n<p>If you wish to take away the tiles on which you painted your frescoes, you will be requested to pay:<br \/>\n&#8211; 10 Euro for each big tile;<br \/>\n&#8211; one small tile is free, from the second tile the cost is 5 Euro each.<\/p>\n[\/spb_text_block] [\/spb_accordion_tab] [spb_accordion_tab title=&#8221;Schedule&#8221; accordion_id=&#8221;&#8221; icon=&#8221;&#8221;] [spb_text_block pb_margin_bottom=&#8221;no&#8221; pb_border_bottom=&#8221;no&#8221; width=&#8221;1\/1&#8243; el_position=&#8221;first last&#8221;]\n<p>20-hour per week programme: \u00a011.30am-1pm and 1.30pm-5pm Mon-Thu.<br \/>\n14-hour per week programme: 1.30pm-5pm Mon-Thu (afternoon option) or 10am-1pm Mon-Thu + 11am-1pm Fri (morning option).<br \/>\nIt is possible to start Fresco classes every Monday.<\/p>\n[\/spb_text_block] [\/spb_accordion_tab] [\/spb_accordion] [\/spb_column] [spb_column width=&#8221;1\/3&#8243; el_position=&#8221;last&#8221;] [spb_single_image image=&#8221;17702&#8243; image_size=&#8221;full&#8221; frame=&#8221;shadowframe&#8221; intro_animation=&#8221;none&#8221; full_width=&#8221;no&#8221; lightbox=&#8221;yes&#8221; link_target=&#8221;_self&#8221; width=&#8221;1\/1&#8243; el_position=&#8221;first last&#8221;] [blank_spacer height=&#8221;30px&#8221; width=&#8221;1\/1&#8243; el_position=&#8221;first last&#8221;] [spb_single_image image=&#8221;13496&#8243; 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text_size=&#8221;normal&#8221; item_count=&#8221;1&#8243; order=&#8221;rand&#8221; category=&#8221;fresco&#8221; pagination=&#8221;no&#8221; page_link=&#8221;no&#8221; width=&#8221;1\/1&#8243; el_position=&#8221;first last&#8221;] [\/spb_column]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[spb_column width=&#8221;2\/3&#8243; el_position=&#8221;first&#8221;] [spb_text_block title=&#8221;The oldest painting technique&#8221; pb_margin_bottom=&#8221;no&#8221; pb_border_bottom=&#8221;no&#8221; width=&#8221;1\/1&#8243; el_position=&#8221;first last&#8221;] Fresco is one of the oldest painting techniques. It was invented by the Egyptians who later taught it to the Greeks. But it was only in the 14th century, thanks to the Italian painter Giotto, that the fresco technique gained more and more importance among the Fine [&hellip;]<\/p>\n","protected":false},"author":27,"featured_media":6315,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_joinchat":[],"footnotes":""},"class_list":["post-5974","page","type-page","status-publish","has-post-thumbnail","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/adg.it\/en\/wp-json\/wp\/v2\/pages\/5974","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/adg.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/adg.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/adg.it\/en\/wp-json\/wp\/v2\/users\/27"}],"replies":[{"embeddable":true,"href":"https:\/\/adg.it\/en\/wp-json\/wp\/v2\/comments?post=5974"}],"version-history":[{"count":3,"href":"https:\/\/adg.it\/en\/wp-json\/wp\/v2\/pages\/5974\/revisions"}],"predecessor-version":[{"id":26281,"href":"https:\/\/adg.it\/en\/wp-json\/wp\/v2\/pages\/5974\/revisions\/26281"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/adg.it\/en\/wp-json\/wp\/v2\/media\/6315"}],"wp:attachment":[{"href":"https:\/\/adg.it\/en\/wp-json\/wp\/v2\/media?parent=5974"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}