{"id":17352,"date":"2019-09-11T10:09:23","date_gmt":"2019-09-11T10:09:23","guid":{"rendered":"https:\/\/adg.it\/fluid-drip-painting-workshop-copy\/"},"modified":"2026-10-21T12:45:11","modified_gmt":"2026-10-21T12:45:11","slug":"tempera-and-renaissance-painting-techniques","status":"publish","type":"page","link":"https:\/\/adg.it\/en\/tempera-and-renaissance-painting-techniques\/","title":{"rendered":"Tempera and Renaissance painting techniques"},"content":{"rendered":"\n
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Discover how the Italian masters painted<\/h3>\n\n\n\n

The word “tempera” comes the Latin “distemperare”, which means mix thoroughly. Also known as egg tempera<\/strong>, this technique actually mixes colored pigments with a binder medium, which consists usually of egg yolk.<\/p>\n

It is a very ancient technique that became very popular and widespread in the middle age and in the early renaissance period. The main reason of this popularity and diffusion was due to the fact that tempera paintings were incredibly very long lasting. Painters such as Masaccio<\/strong> or Piero della Francesca<\/strong> knew that the tempera medium was permanent and that therefore the vivid colors of their artwork would last for centuries. Another peculiarity of this medium is that it dries rapidly.<\/p>\n

During this 5-day intensive workshop<\/strong> students will learn to master this ancient technique. They will learn to mix the colors with the egg and to adjust the mixture by adding water or more yolk while painting so as to maintain the creamy consistency of the paint. They will be taught on how to achieve detail precision by applying thin, semi-opaque or transparent layers also by adopting a cross-hatching technique through the application of several small brush strokes.<\/p>\n

Students will be able to opt for subjects the prefer to work on, so that they may concentrate either on a still life<\/strong> or on a portrait<\/strong> or even on a landscape<\/strong>.<\/p>\n

Students will also decide the support on which they wish to paint. Given the extremely creamy consistency of this medium, they may choose to paint either on a heavy paper sheet<\/strong>, or on a wood panel<\/strong>, or also on a canvas<\/strong>.<\/p>\n

After this 5-day intensive seminar students will be capable of mastering the fundamentals of this ancient technique.<\/p>\n

Part of the workshop can be dedicated to:<\/p>\n